Sculptures

Chair, 2001 provided with a thermochrom plate. The heat of the body changes the colour of the plate and leaves the exact print of the body according to the layer of clothes. Selected for Lille 2004.
Chair, 2001 provided with a thermochrom plate. The heat of the body changes the colour of the plate and leaves the exact print of the body according to the layer of clothes. Selected for Lille 2004.

Relief, plâtre, figurine plastique, 23 X 23 X 4 cm.
Relief, plâtre, figurine plastique, 23 X 23 X 4 cm.

Relief, détail, plâtre, figurine plastique, 23 X 23 X 4 cm.
Relief, détail, plâtre, figurine plastique, 23 X 23 X 4 cm.

Souris,plâtre, photographie, fil métallique, 23 X 23 X 3 cm.
Souris,plâtre, photographie, fil métallique, 23 X 23 X 3 cm.

Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.
Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.

Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.
Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.

Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.
Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.

Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.
Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.

Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.
Stéatite,‟ Egalité ‟, 20x5x14 cm ,2014.

Colonne, 3 X 0,25 x 0,25 m.
Colonne, 3 X 0,25 x 0,25 m.

Pie, 1998, pie mold, plaster, acrylic.
Pie, 1998, pie mold, plaster, acrylic.

Box with broken mirror, ‟Agitez avant l'emploi‟, 20X10X5cm. 2010.
Box with broken mirror, ‟Agitez avant l'emploi‟, 20X10X5cm. 2010.

Chair, 2010, map, card board, 7‟ x 1.5‟ x 2‟.
Chair, 2010, map, card board, 7‟ x 1.5‟ x 2‟.

Dihedron, panoramic lift carries a part of the dihedron as visitors go up and down, 118‟ x 78‟ x 15.7‟, wood, acrylic, 1993, SODEG, Villeneuve d’Ascq, France.
Dihedron, panoramic lift carries a part of the dihedron as visitors go up and down, 118‟ x 78‟ x 15.7‟, wood, acrylic, 1993, SODEG, Villeneuve d’Ascq, France.

Dihedron, panoramic lift carries a part of the dihedron as visitors go up and down, 118‟ x 78‟ x 15.7‟, wood, acrylic, 1993, SODEG, Villeneuve d’Ascq, France.
Dihedron, panoramic lift carries a part of the dihedron as visitors go up and down, 118‟ x 78‟ x 15.7‟, wood, acrylic, 1993, SODEG, Villeneuve d’Ascq, France.

Death, the letters of the word ‟éteint‟ (‟off‟ in English) come on one after the other. The word ‟éteint‟ is never off, 1998, 117.9‟ x 31.4‟ x 11.8‟.
Death, the letters of the word ‟éteint‟ (‟off‟ in English) come on one after the other. The word ‟éteint‟ is never off, 1998, 117.9‟ x 31.4‟ x 11.8‟.

Soninké, 1995, 196‟x 196‟ x 80‟, resin, steel.
Soninké, 1995, 196‟x 196‟ x 80‟, resin, steel.

Installation On Off, Gallery BE ART, KOREA,2006, each photography 7.8‟ x 7.8‟ Installation, On Off Gallery BE ART, KOREA. One light box, 15.7‟ x 27.8‟, with a blinking system, when the box is off you can read ON, when the box is on you can read OFF.
Installation On Off, Gallery BE ART, KOREA,2006, each photography 7.8‟ x 7.8‟
Installation, On Off Gallery BE ART, KOREA. One light box, 15.7‟ x 27.8‟, with a blinking system, when the box is off you can read ON, when the box is on you can read OFF.

Installation, On Off, Gallery BE ART, KOREA, 2006, (detail), 2006, each photography 7.8‟ x 7.8‟.
Installation, On Off, Gallery BE ART, KOREA, 2006, (detail), 2006, each photography 7.8‟ x 7.8‟.

Installation, On Off, Gallery BE ART, KOREA, 2006, (detail), 2006, each photography 7.8‟ x 7.8‟.
Installation, On Off, Gallery BE ART, KOREA, 2006, (detail), 2006, each photography 7.8‟ x 7.8‟.

Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.
Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.

Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.
Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.

Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.
Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.

Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.
Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.

Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.
Installation On Off, (detail), Gallery BE ART, KOREA, 2006, each photography 7.8‟ x 7.8‟.

Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.
Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.

Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.(detail)
Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.(detail)

Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.(detail)
Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.(detail)

Installation, On Off Gallery BE ART, KOREA. One light box, 15.7‟ x 27.8‟, with a blinking system, when the box is off you can read ON, when the box is on you can read OFF.
Installation, On Off Gallery BE ART, KOREA. One light box, 15.7‟ x 27.8‟, with a blinking system, when the box is off you can read ON, when the box is on you can read OFF.

Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.
Light box, 1999, 39.3‟ x 39.3‟ x 3.93‟ acrylic on plexiglas, neon.

Ceramic, ‟ d'où venons nous... ‟ 40x10x25cm. 2014
Ceramic, ‟ d'où venons nous... ‟ 40x10x25cm. 2014

Jeu de balle,stéatite, 20x20x20cm 2014.
Jeu de balle,stéatite, 20x20x20cm 2014.

Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.
Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.

Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.
Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.

Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.
Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.

Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.
Urnes, 2001, ballot box provided with a system of human presence detection.The inside can't be seen when the spectator gets nearer, thanks to a special glass (privalite system). Then, it was filled with children's names.This work of art was given an award. College Paul Langevin.

Correspondence, 1995, wax, steel ball, 14.1‟ x 9.4‟ x 5.5‟.
Correspondence, 1995, wax, steel ball, 14.1‟ x 9.4‟ x 5.5‟.

Correspondence, 1995, wax, steel, rodhoid, 14.1‟ x 9.4‟ x 5.5‟.
Correspondence, 1995, wax, steel, rodhoid, 14.1‟ x 9.4‟ x 5.5‟.

Correspondence, 1995, wax, steel ball, rodhoid, 14.1‟ x 9.4‟ x 5.5‟.
Correspondence, 1995, wax, steel ball, rodhoid, 14.1‟ x 9.4‟ x 5.5‟.